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Everyone needs a basic tool set for projects like fixing leaks, hanging picture frames, or patching drywall. This fabulous 30-piece tool kit from Barbara K is designed specifically for women and is a great option for the average do-it-yourselfer. Whether you’re searching for a gift or you’re buying your first tool kit, Barbara K’s package is ideal.One problem women often have with standard tools i…

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The long-wearing, stay-true color glides on silky-smooth. The lightweight, creamy formula provides instant moisture and maximum color that lasts….

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SIGNATURE BELLA PINK

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Kay Unger K102 Eyeglasses for Women are available at BestBuyEyeglasses.com in the following colors: Brown, Rose/Pink. The frame material is Metal. Kay Unger K102 Metal. These frames accept prescription lenses.

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Kay Thompson’s larger-than-life story is an effervescent toast to show business with a shot of Auntie Mame and a twist of The Devil Wears Prada. A multi-threat entertainer and a world-class eccentric, Kay Thompson was the mentor/best friend of Judy Garland, the vocal guru for Frank Sinatra and Lena Horne, and the godmother/Svengali of Liza Minnelli (who recreated Thompson’s nightclub act in her 2009 Tony Award–winning event, Liza’s at the Palace ). She went to school with Tennessee Williams, auditioned for Henry Ford, got her first big break from Bing Crosby, trained Marilyn Monroe, channeled Elvis Presley, rejected Andy Warhol, rebuffed Federico Fellini, got fired by Howard Hughes, and snubbed Donald Trump. She coached Bette Davis and Eleanor Roosevelt; she created nightclub acts for Marlene Dietrich and Ginger Rogers; and when Lucille Ball had to sing on Broadway, Kay was the wind beneath her wings, too. Kay’s legion of fans included Queen Elizabeth of England, King Juan Carlos of Spain, and Princess Grace (Kelly) of Monaco. Danny Kaye masqueraded in drag as her; Noël Coward and Cole Porter wrote musicals for her; and The Beatles wanted to hold her hand. She was a charter member of the Rat Pack, costarred in a whodunit with Ronald Reagan, and directed John F. Kennedy’s Inaugural Gala. The dame cut a wide swath through the arts. After conquering radio in the 1930s she commandeered MGM’s vocal department in the 1940s, where she revolutionized the studio’s greatest musicals with her audacious arrangements, from The Harvey Girls to Ziegfeld Follies . In the 1950s she became the highest-paid cabaret attraction in the world with her groundbreaking act “Kay Thompson and the Williams Brothers,” featuring her young protégé—and secret lover—Andy Williams. In a stunning feat of reinvention, Thompson next became the bestselling author of Eloise (first published by Simon & Schuster in 1955), chronicling the mischievous adventures of the six-year-old mascot of The Plaza, spawning an industry that is still going strong today. Then Kay took the silver screen by storm as the “Think Pink!” fashion magazine editor in Funny Face , stealing the film right out from under Audrey Hepburn and Fred Astaire. The Thompson saga swells from small town wannabe to international headliner, dissolving into self-destruction and madness—the storyline usually reserved for a rags-to-riches potboiler—yet with unexpected twists, outlandish turns, and a last-minute happy ending that, even by Hollywood’s standards, is nothing short of preposterous. But that is Kay Thompson. Fascinating. Frustrating. Fabulous!

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Although the 50-year copyright limit on recordings in Europe has resulted in many shoddy unlicensed reissues of popular recordings still in print in their legitimate versions, it also allows fans and collectors to assemble and present valuable rare and out of print material that the major labels have buried in their vaults and are likely never to unearth again. A good example is this, British reissue label Sepia Records’ Think Pink! A Kay Thompson Party. Thompson (1909-1998) is a legend, even though she was not a star, her many accomplishments including authoring the series of children’s books about Eloise, the precocious six-year-old who roams the halls of the Plaza Hotel; coaching Judy Garland and others for their singing in MGM movie musicals of the ’40s; and headlining an acclaimed, but little documented nightclub act with the Williams Brothers (including a young Andy Williams) in the late ’40s and early ’50s. She also made studio recordings sporadically, among them a 1955 LP for MGM Records called Kay Thompson Sings, as well as appearing extensively on radio during its heyday and, occasionally, on TV and in films. Such sources, plus private recordings, have been compiled by Thompson’s biographer Sam Irvin for this collection, which, astonishingly, is a three-and-a-half-hour triple-CD set. And, at that, it isn’t even complete; it deliberately picks up the Thompson story where an earlier collection, 2003′s The Queen of Swing Vocals & Her Rhythm Singers, issued by Baldwin Street Music, left off in the late ’30s, then follows her to the end of the ’50s. It does so non-chronologically, instead grouping the three discs into themes: CD one is “The Studio Recordings”; CD two “Rarities and Live Performances”; and CD three “Demos, Covers, Comedy, and Eloise.” As such, the most conventional Kay Thompson comes at the start, with ten of the 12 tracks from Kay Thompson Sings (the other two are novelties held for the third CD), which make her seem to be a good interpretive traditional pop singer of the ’50s in the mold of, say, Peggy Lee. Other tracks culled from singles reinforce this impression until the end of the disc, which contains excerpts from Thompson’s one big featured role in a movie musical, 1957′s Funny Face, in which she held her own against Fred Astaire. The second disc begins with an attempt to re-create what a nightclub performance by Thompson and the Williams Brothers might have been like, using some of their few recordings and airchecks. As the disc goes on, it moves backwards in time to the late ’30s, emphasizing Thompson’s abilities as a vocal arranger, then back up to the mid-’40s, with some examples of her work at MGM. The third disc is of course a miscellany, even including songs written by but not featuring Thompson, such as an Ann Miller version of what is here called “Madame Crematante” (although it has also been called “The Interview” and “A Great Lady Has an Interview”), a piece of special material performed by Judy Garland in

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Look Whoo’s 1 Pink Framed Signature Matte

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Mary Kay Ash is the quintessential example of a Phoenix rising from the ashes. After 10 years at World Gift Co., a direct sales organization, Ash resigned when an underling she had trained was promoted ahead of her–because he was a male. Ash, a 45-year-old unemployed divorcee with three children, was at her nadir. But a few months later, she formed what is now known as Mary Kay Inc., a cosmetics company that grew into a behemoth with current annual revenues in excess of 2.4 billion. And she did it with verve, panache, tenacity, hard work and endless faith in her ability to succeed. She was a master saleswoman. Mary Kay was independent as a child and never faltered despite setbacks and tragedies. The story of Mary Kay Ash is as colorful as the pink Cadillacs she gave to her most successful "independent consultants." [3,169-word Titans of Fortune article].

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Although the 50-year copyright limit on recordings in Europe has resulted in many shoddy unlicensed reissues of popular recordings still in print in their legitimate versions, it also allows fans and collectors to assemble and present valuable rare and ou

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Kay – R07-099 is a Fashion Rimless eyewear and its frame is made in Metal. It distinguishes itself whatever from excellent design or superior craft.

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Kay Francis

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Kay-Fabe